The Nutcracker Suite Music Match Box

The nutcracker suite musical box is approximately 3.5 inches long, 2� inches wide and 1 inch tall when the box is closed. When the nutcracker suite musical box is open it is approximately 5.5 inches long. When the nutcracker suite musical box is wound the music plays and the figures of Clara, the Mouse King and Herr Drosselmyer rotate around a Christmas tree. Even the outside cover of the box has a beautiful picture from the nutcracker ballet.

Note: Do Not Over Wind. Over winding will lock or damage the music box mechanism.

What is a Music Box?
The music box is a 19th century automatic musical instrument that produces sounds by the use of a set of pins placed on a revolving cylinder so as to strike the tuned teeth of a steel comb. They were developed from musical snuff boxes of the 18th century and called �Carillons a Musique.� Some of the more complex boxes also have tiny drum and small bells, in addition to the metal comb. Alec Templeton, an avid collector of music boxes and a professional concert musician, once noted that the tone of a musical box is unlike that of any musical instrument.

History of the Music Box.
The original snuff box music boxes were tiny containers which could fit into a gentleman�s waist coat pocket. The musical boxes could have any size from that of a hatbox to a large piece of furniture though most were tabletop sized. They were usually powered by clockwork and originally produced by artisan watchmakers.
For most of the 19th century the bulk of music box production was concentrated in Switzerland, building upon a strong watch making tradition. The first music box factory was opened Switzerland in 1815 by Jeremie Recordon and Samuel Junod. There were also a few manufacturers in Bohemia and Germany. By the end of the 19th century some of the European makers had opened factories in the United States.
the cylinders were normally made of metal and powered by a spring. In some of the costlier models, the cylinders could be removed to change melodies, thanks to an invention by Paillard in 1862, which was perfected by Metert, of Geneva in 1879. In some exceptional models there were four springs, to provide continuous play for up to three hours.
The first boxes at the end of the 18th century made use of metal disks. The switch over to cylinders seems to have been complete after the Napoleonic wars. In the last decades of the 19th century however, mass produced models such as the Polyphon and others all made use of interchangeable metal disks instead of cylinders. The cylinder based machines rapidly became a minority.
The term musical box is also applied to clockwork devices where a removable metal disk or cylinder was used only in a programming function without producing the sounds directly by means of pins and a comb. Instead, the cylinder or disk worked by actuating bellows and levers which fed and opened pneumatic valves which activated a modified wind instrument or plucked the chords on a modified string instrument. Some devices could do both at the same time and were often combinations of player pianos and musical boxes, such as the Orchestrion.
At the end of the 19th century and the beginning of the 20th most musical boxes were gradually replaced by Player pianos, which were more versatile and loud and also melodious, when kept tuned and by the smaller gramophones which had the advantage of playing back voices. Series production rapidly disappeared and all the important companies closed their doors. A few of the original ones found new markets.
Located near Lake Neuchatel Reue is one of the last of the Swiss survivors making music boxes of all sizes and shapes, with or without automatons in imitation of models of the previous centuries or in a modern style with clear acrylic sides to see the mechanical operation. They have in a sense branched out widely from their original cylinder offerings since they now also offer traditional looking music boxes with removable metal disks.

Coin Operated Music Boxes.
In Switzerland and the United States coin operated music boxes, usually capable of playing several tunes, were installed in train stations and amusement parks. Some of the models had a mechanism for automatically changing the metal disks. These were the precursors to jukeboxes. However, since they produced music instead of playing back any sound, including human voices singing, they soon disappeared from their intended venues, displaced by the jukebox.
Because most of the coin operated music boxes were built for rough treatment many of these large models have survived into the 21st century, despite their relatively low production quantities. They are eagerly sought by collectors, who have the space for their large or very large cabinets.